Wednesday, 25 November 2015

A Survey of How Poetry Can Be Read and Written

I’ve just come across a feature I'm included in by Peter Philpott for his site Modern Poetry. It’s a survey of various ideas held or rehearsed by poets and academics about the reception and production of poetry. I'm included regarding various articles I’ve written that advocate reception theory as a useful tool for appreciating poetry. Others included are:

Matthew Caley, Will Rowe, Ian Davidson, Johan de Wit, J. H. Prynne, Joe Kennedy, Harriet Tarlo, Philip Terry, Lawrence Upton, Brian Kim Stefans, Sheila E. Murphy, Tim Love, Andrew Duncan, Willian Watkin, Peter Riley, Reginald Shepherd, Marianne Morris, Ira Lightman, Robin Purves, Sam Ladkin, Christopher Funkhouser and N. Katherine Hayles.

It can be found here:


My thanks to Peter Philpot for his generosity in including me in this line-up.


Friday, 20 November 2015

Pirene’s Fountain Interviews

Here are two interviews with me, conducted by Ami Kaye for Pirene’s Fountain in 2009 and 2010, about online poetry editing and online poetry publishing. My thanks to Ami for allowing me to re-publish them at The Argotist Online:



Saturday, 7 November 2015

The Influence of Coleridge on Wordsworth

Here's a free ebook drawn from material in my PhD thesis:

The Influence of Coleridge on Wordsworth is an examination of the ways in which aspects of Coleridge’s early writings and philosophical concerns permeate the poetry and poetic aesthetic of Wordsworth, especially in the composition of Wordsworth’s Preface to Lyrical Ballads, of which Coleridge said, ‘It is most certain, that that Preface arose from the heads of our mutual Conversations […] the first passages were indeed partly taken from notes of mine […] for it was at first intended, that the Preface should be written by me’.

http://www.argotistonline.co.uk/THE%20INFLUENCE%20OF%20COLERIDGE%20ON%20WORDSWORTH.pdf


Wednesday, 21 October 2015

Michelle Greenblatt RIP

Just heard that Michelle Greenblatt, a poet and editor friend, died last Monday. She was only in her early thirties. I hadn’t had contact with her for some months, and assumed that this was due to her fibromyalgia, which she suffered from terribly. I’m very shocked and saddened. My thoughts are with her husband and family. Rest in peace, Heavenly.

She was poetry editor and music editor for the website Unlikely Stories:

http://www.unlikelystories.org/biogreenblatt.shtml

Here are some of her poems at that site:

http://www.unlikelystories.org/12/greenblatt0812.shtml

Here is a collaborative poem she wrote with Vernon Frazer I published at The Argotist Online around 10 years ago:

http://www.argotistonline.co.uk/Frazer%20&%20Greenblatt%20poem.htm

And here is an ebook of her collaborative poems with Vernon Frazer I published in 2011:

http://www.argotistonline.co.uk/DARK%20HOPE.pdf




Friday, 24 July 2015

'Carrier of the Seed' now an Argotist Ebook

My long poem, originally published by BlazeVOX, is now an Argotist Ebook.

Description:

‘All the way through to the poem's conclusion, with its implied continuation, the reader will have embarked down an extraordinary route of languages, registers and vocabularies, which function to arrest, surprise, disrupt, flow together, collide and cut across each other's current like a plaited waterway. In turn, this flow has been enriched by the assimilation of artefacts from different generations of writers; these deepen the work, interlacing it with echoes and experiences from different times and cultures. The integration of so many disparate elements into one cogent construct is the poem's triumph.’ (John Couth)

Available as a free ebook here:

www.argotistonline.co.uk/CARRIER%20OF%20THE%20SEED.pdf

Full Argotist Ebooks catalogue here:

http://www.argotistonline.co.uk/Ebooks%20index.htm

Friday, 3 July 2015

Limited Poetic Meaning and the Wordsworthian Legacy

Here’s an article I wrote a few years ago, which attempts to show how the Modernist innovations in poetry in the early years of the twentieth century became marginalized as serious poetic techniques, in favour of a more realist sort of poetic style that was largely influenced by the poetic aesthetic of William Wordsworth.

‘Limited Poetic Meaning and the Wordsworthian Legacy’: